“Don’t forget your promise,” he reminded her, when they parted. “I shall tell Mary she may write to you.” “She loved you very dearly,” he said. “Better than herself. All those years of sorrow: they came to her because of that. I thought it foolish of her at the time, but now I know she was wise. I want you always to love and honour her. I wouldn’t ask you if it wasn’t right.”!

Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. It was not of herself she was thinking. It was for his work’s sake that she wanted to be near to him always: that she might counsel him, encourage him. For this she was prepared to sacrifice herself, give up her woman’s claim on life. They would be friends, comrades—nothing more. That little lurking curiosity of hers, concerning what it would be like to feel his strong arms round her, pressing her closer and closer to him: it was only a foolish fancy. She could easily laugh that out of herself. Only bad women had need to be afraid of themselves. She would keep guard for both of them. Their purity of motive, their high purpose, would save them from the danger of anything vulgar or ridiculous.

“I felt it just the same when young Mr. McKean left us,” she explained with apologies. “He had been with us five years. He was like you, miss, so unpracticable. I’d got used to looking after him.” “Isn’t it rather dangerous work?” she asked. She felt it was a footling question even as she asked it. Her brain had become stodgy. Mary lived in a tiny house behind a strip of garden. It stood in a narrow side street between two public-houses, and was covered with ivy. It had two windows above and a window and a door below. The upstairs rooms belonged to the churchwardens and were used as a storehouse for old parish registers, deemed of little value. Mary Stopperton and her bedridden husband lived in the two rooms below. Mary unlocked the door, and Joan passed in and waited. Mary lit a candle that was standing on a bracket and turned to lead the way.